To be the first leading “green” company in the  jewelry sector, inspired by classical art and culture, which through  new on-line sales techniques and the 3D printing is able to produce and sell only what is actually required, thus avoiding waste of material and machining.


The rediscovery of the jewel’s intrinsic value, no longer as a model imposed only by fashion and trends, but as a precious and unique object, which has its roots in and draws nourishment from art and culture, and is developed with modern 3D printing technology allowing the creation of jewels perfect in their form and details.


This collection has been designed by Mario Montecchi who is daily inspired, by the artistic beauty of our country.

Born in the beautiful Etruscan city of Arezzo, he has created a collection inspired by his surrounding world, and moved by the rediscovery of lines and shapes, which are ancient and modern at the same time.

 “Timeless” jewels, produced entirely with the latest and most sophisticated technology, allow the perfection of the art and drawings of this ancient people to be even more fully appreciated.

“Timeless” jewels are born with the precise purpose of bringing new life not only to the exquisite goldsmithing art of our Ancestors, but their Art in all its expressions, their beliefs and their culture.

“Timeless” jewels are unique pieces where  the art of goldsmithing merges with sculpture and painting in a unique style created with new design and processing technologies (Rhinoceros and 3D printing).


It includes the following parure:


The maenad, celebrated in myths as a woman invaded by ecstatic fury, unleashed in the orgiastic frenzy of an impetuous and passionate mysticism, is in this parure represented in its most classic guise with realistic  sensual traits, oriental eyes, the head haloed by a hun species of large circular headdress in the shape of  palm leaves.


Flowers always accompany an emotion: receiving and giving them is a simple gesture but full of meanings that are transmitted through their beauty and transfigured through art in human works spanning the centuries.
This is the theme chosen for the third set dedicated to the Etruscan Goddess of the earth Semia.


Dedicated to our beautiful hometown, it represents one of the most beautiful bronze statues ever found, the Chimera, a work of Aretine artisans of the 5th-4th century BC. dedicated, as from traces found to the  Etruscan divinity Tin. (Tins ’Vil-dedicated to Tin).


The second Parure is inspired by a floral motif that we find in the art of clay craftsmanship, of which the Etruscans were masters, and takes its name from the Goddess of the Forest.


The Turan Parure takes its name from the Etruscan Goddess Turan, Goddess of Beauty and Love. Its main themes are birds, fishes and mythological animals, evoking the relationship between Etruscan symbolism and the human world.


The Nethuns parure recalls one of the elements to which the Etruscans, also called “Tyrrhenians”,  were most  attached and which is depicted in many of their sculptural and pictorial works: the sea. Inspired by the geometrically perfect movement of the waves, it couldn’t help but take the name of “Nethuns”, God of the Sea.